fall events ...

wandering thru yesterday & distant tomorrows
wandering thru yesterday & distant tomorrows a micro-lab exchange

august 27, 2005 – cinecycle – toronto, on, canada

september 2005 – the antimatter underground film festival – victoria, bc, canada

october 7, 2005 – ata – san francisco, ca, usa
winter 2005 – paris, france

the laboritorium (medieval Latin)
1 a : a place equipped for experimental study in a science or for testing and analysis; broadly : a place providing opportunity for experimentation, observation, or practice in a field of study b : a place like a laboratory for testing, experimentation, or practice <the laboratory of the mind> (merriam webster)

More than merely a place to develop film, the spirit of the d.i.y. micro-lab provides for a collaborative environment with a strong sense of community. Working amongst like-minded individuals, film artists are able to delve deeper into the confines of their chosen medium. In this world the continual existence of film is never questioned. Chemical stews, brews and endless replications. develop. wash. fix. wash. repeat.


the labs involved:


L’Abominable – Asnières-sur-Seine, France

Niagara Custom Lab - Toronto, Ontario, Canada

Studio X (SFAI) - San Francisco, California, USA

the works: descriptions of works (from the makers)

Lab Movie – Sebastjan Henrickson
16mm, sound, colour, 2002, 12mins
When I first started work in the lab my old boss told me that these machines were built for continuous run, the more film we pushed thru them the better it would be, that's when I started shooting film in the lab, to feed the machines, hungry bastards…Lab Movie is one of these films, shot in 92 finished last week.
the waves - Kent Long
16mm, sound, b&w, 2004, 8 mins
A look at the microcosmic- patterns revealed and appropriated- subjected to the wanton desires of dirty little hands. Sitting, watching/not watching, darkness, silence, sustained.
Flamen'co - Olivier Fouchard
16mm, silent, b&w, 2002/2003, 7 mins
Two bodies, or rather two women looking for each other in darkness. One's lit up and then it's the other one. They play hide-and-seek in the half-light. Glow worms and butterflies, they start an amazing choreography of which there remains only a few fragments. Their bodies will end up getting closer, hesitantly, sometimes backwards, a discreet dance. Yes, they have danced that night but did they really meet? The real film remains to be done...
the distance between here and there – Christina Battle
16mm, sound, colour, 2005, 8 mins
traveling through an invented landscape…the space between here and there.
Remembrance Day Parade - John Price
16mm, hand processed colour negative, 2005, 3 mins
an uncut camera roll from the remembrance day parade in vancouver...
Lifeboat – Ryan Glenn
16mm, sound, colour, 2005, 3.5 mins
echos of a past. ideals for a future. this is a fall out. focused on breath. adrift beneath the sun and sky. anchored in distant horizons. i the ocean.
Mer – Martine Rousset
16mm, sound, colour, 17 mins
"The sea is a language that we lost the meaning of" (JL Borges)
Finger Petals - Kelly Egan
16mm, animated sound, colour, 2002, 3.5 mins
“Finger Petals” is a handmade cameraless film which uses collage techniques to sculpt the images and sound. The visual composition was made by meticulously cutting, shaping and collaging flowers onto the filmstrip. The sound treatment is created by pasting E.E. Cummings’ poem “Somewhere I Have Never Travelled, Gladly Beyond,” the letters themselves forming the audio as their graphic shape is translated into sound.
Terminus For You – Nicolas Rey
16 mm, sound, noir & blanc, 1996, 10 mins
In the beginning, man invented the staircase. Standing at its bottom, or resting at its top, he contemplated the scenery that lay around him. Alas, he became weary of constantly climbing up and down these steps and soon devised the escalator, which would take him effortlessly to the peaks or the bowls of the world. Verticality now conquered, man took his ambition to the dreary lengths of the underground- cinema's unlikely twin- hoping that the acceleration of bodies on conveyor belts would provide a similar rush. But boredom continued to reign supreme in the halls of the subway. So man, inspired by a stroke of genius, decided to cover the walls with gigantic multicolored advertisements... and finally, there was light.

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